Volume 28 • Issue 1 • 2022 • Volume 28

This issue, with Guest Editors Belinda Kong and Shaohua Guo, features articles focused on Asian geopolitics through media and art.

Editors: Belinda Kong (Guest Editor), Shaohua Guo (Guest Editor)


Notes from the Editors

Notes from the Editors

Ronald S Green and Susan Bergeron

2022-07-02 Volume 28 • Issue 1 • 2022 • Volume 28

Imagining Geopolitics across Media and Artforms

Introduction to the Special Edition on Imagining Geopolitics across Media and Artforms

Belinda Kong and Shaohua Guo

2022-07-02 Volume 28 • Issue 1 • 2022 • Volume 28

You Tube, We Comment: I Am a Singer and Geopolitical Encounters of Sinophone Communities

Shaohua Guo

2022-07-02 Volume 28 • Issue 1 • 2022 • Volume 28

The Geopolitics of “Being Lost” (jiong) in China’s Most Popular Movie Franchise

Jie Zhang

2022-07-02 Volume 28 • Issue 1 • 2022 • Volume 28

Rediscovering New Taiwan Cinema in and outside of Greater China: Wei Te-sheng’s Cape No. 7 and Chang Tso-chi’s Soul of a Demon

Fu-Ying Flora CHUANG

2022-07-02 Volume 28 • Issue 1 • 2022 • Volume 28

Japanese Imperialism through a Taiwanese Lens: Wei Te-sheng's Cinematic Portrayals of the Colonial Era

Scott Langton

2022-07-02 Volume 28 • Issue 1 • 2022 • Volume 28

As If Poetry: Computer-Generated Tanka and Contemporary Japanese Verse

Scott Mehl

2022-07-02 Volume 28 • Issue 1 • 2022 • Volume 28

Altering Time, Altering States: Contemplative Geopolitics in the South Asian Anglophone Novel

Hilary Thompson

2022-07-02 Volume 28 • Issue 1 • 2022 • Volume 28

Article

Reverberations of Collective Traumatic Memories from a South Korean Movie to June Fourth and Jiabiangou

Yenna Wu

2022-07-02 Volume 28 • Issue 1 • 2022 • Volume 28

The Marianna McJimsey Award

The Dara'ang and The Art of Becoming Governed

Gwen Marie McCaw, Kaytlyn Michelle Marcotte and Marine E.O. Vieille

2022-07-02 Volume 28 • Issue 1 • 2022 • Volume 28

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