Articles

The Dara'ang and The Art of Becoming Governed

Gwen Marie McCaw, Kaytlyn Michelle Marcotte and Marine E.O. Vieille

2022-07-02 Volume 28 • Issue 1 • 2022

You Tube, We Comment: I Am a Singer and Geopolitical Encounters of Sinophone Communities

Shaohua Guo

2022-07-02 Volume 28 • Issue 1 • 2022

Japanese Imperialism through a Taiwanese Lens: Wei Te-sheng's Cinematic Portrayals of the Colonial Era

Scott Langton

2022-07-02 Volume 28 • Issue 1 • 2022

Rediscovering New Taiwan Cinema in and outside of Greater China: Wei Te-sheng’s Cape No. 7 and Chang Tso-chi’s Soul of a Demon

Fu-Ying Flora CHUANG

2022-07-02 Volume 28 • Issue 1 • 2022

Notes from the Editors

Ronald S Green and Susan Bergeron

2022-07-02 Volume 28 • Issue 1 • 2022

The Geopolitics of “Being Lost” (jiong) in China’s Most Popular Movie Franchise

Jie Zhang

2022-07-02 Volume 28 • Issue 1 • 2022

Reverberations of Collective Traumatic Memories from a South Korean Movie to June Fourth and Jiabiangou

Yenna Wu

2022-07-02 Volume 28 • Issue 1 • 2022

Altering Time, Altering States: Contemplative Geopolitics in the South Asian Anglophone Novel

Hilary Thompson

2022-07-02 Volume 28 • Issue 1 • 2022

As If Poetry: Computer-Generated Tanka and Contemporary Japanese Verse

Scott Mehl

2022-07-02 Volume 28 • Issue 1 • 2022

Introduction to the Special Edition on Imagining Geopolitics across Media and Artforms

Belinda Kong and Shaohua Guo

2022-07-02 Volume 28 • Issue 1 • 2022